Sensitive Sounds

Elif Öner & Evrim Kavcar

Sensitive Sounds: A  polyphonic, multiform, participatory  art work that traces the subjective,  social and cultural layers of sound,  carried out collaboratively by Elif Öner and Evrim Kavcar since February 2018.

Sensitive Sounds slowly came into existence at a challenging period around 2018, during our private conversations with each other. At that time in Turkey, under a climate of heavy censorship and repression, our attempts to reclaim our basic rights were met by violence. Many of our friends were migrating to Europe.  At such a time period that rendered us mute on a personal and social level, an interpersonal dialogue was born between us out of a need to connect and to mend what was broken personally, socially and ecologically. We were talking about different faces of violence in the world in general.   In the midst of political and economic crises, we were becoming more and more silent. We felt that what was at stake was our inner voice. We could observe that losing touch with our inner voice us with less care and more aggression.

Where carelessness ruled, it was difficult for the “sensitive” to survive.  In a world that was becoming insensitive, we chose to direct our attention to sounds that were not dominant; sounds that either escaped our attention or were deemed unimportant. We had feelings towards these sounds. In a world dominated by sight and speed, these sounds triggered memories of specific smells, tastes or touch. 

With a childish curiosity, we started to re-listen to our surroundings, to think about sounds that are rooted in our memory, and we started to describe these sounds to each other. Finally, we ended up writing down descriptions of specific sounds. With a curiosity regarding the nature of collective memory, we opened up this process for participation. Our need to step out of the closed circle of the art scene led us to reaching out to people from different professions. Together we made a series of public talks on the subject of “sound”.  Last year, a selection of  “sensitive sound descriptions” turned into an artists’ book A Dictionary of Sensitive Sounds was published.

Sensitive Sounds presently continues in various forms such as performance, video, public programs and participatory projects and collaborations, where we keep on tracing the subjective, social and cultural layers of sound.

Sounds and Gestures
Artistic Research
A Dictionary of Sensitive Sounds
Dear Reader
Open For Your Participation
Silent Migration
You Already Know Half of The Story
Futile Effort
Again and Again
The Other (ongoing series)
Out of Frame
In to In
Historical Future Museum
True Copy Of The Original (ongoing series)